Youth Board

Youth Board Trustee

Zosia Dzimitrowicz

Zosia Dzimitrowicz, aged 19, is a pianist from South Wales. She is currently reading Music at Trinity College, Cambridge, while continuing her piano studies with Norma Fisher and Leon McCawley. Zosia previously attended Chetham’s School of Music, where she studied piano with Lulu Yang and accompaniment with Elena Nalimova. She holds both the Fellowship (FTCL) performance diploma and Licentiate (LMusTCL) academic diploma from Trinity College London, and has participated in masterclasses with Peter Donohoe, Julian Jacobson, Steven Osborne, Isata Kanneh-Mason, Aisa Ijiri, and Peter Hill.

Zosia has received awards nationally and internationally, with recent accolades including prizes at the Montecatini International Piano Competition and being named national winner of the EPTA UK Competition.

In 2023, she was selected as the Clifton International Festival of Music’s Young Artist and featured in an interview on BBC Radio Bristol. She performs regularly in diverse venues across the UK and Europe, with recent appearances in Serbia and Romania, and has performed Rachmaninoff’s Piano Concerto No. 2 and Mozart’s Piano Concerto No. 24 with orchestras in Newport and Brecon.

Leyton Bartley Beal

Leyton Bartley Beal is an Associate Producer at the Gold Coast Eisteddfod, one of Australia’s largest and longest-running youth performing arts festivals. In this role, he helps deliver an extensive annual program celebrating excellence in dance, music, and drama, engaging thousands of young performers from schools and community groups across the region.

Passionate about nurturing artistic talent and creating accessible pathways for young people in the arts, Leyton combines a creative background with a strong foundation in event management and production. A former professional dancer, he brings first-hand insight into the value of performance-based education and the importance of fostering inclusive, supportive festival environments.

Alongside his work at the Eisteddfod, Leyton is a Project Coordinator at The Conference Company, where he contributes to the planning and delivery of large-scale national and international conferences and exhibitions across Australasia. His academic studies in Entertainment Industries and Digital Screen Media further inform his approach to innovation, logistics, and audience engagement within the arts and events sectors.

As a member of the British & International Federation of Festivals (BIFF) Youth Board, Leyton is committed to promoting the transformative power of performance, advancing cross-cultural collaboration, and supporting the continued growth of youth festivals worldwide.

Emma Hutchins

My name is Emma Hutchins, I’m 20 years old and I’m from Devon. I have been dancing and performing since the age of 5, and taking part in festivals since the age of 11 with Totnes School of Dance, many of these being BIFF affiliated. Throughout my years of competing I have been lucky enough to compete locally, regionally, nationally and internationally. I am proud to have been chosen to represent England in dance numerous times over the course of 8 years, and this has completely transformed my work ethic and attitude towards performing.

I am currently in my first year at ArtsEd in London, studying for my BA Hons Degree in Musical Theatre, after studying on their Musical Theatre Foundation course during the last year. I’m very grateful to be studying at my dream school, and one of the leading institutions for Musical Theatre in the world. Throughout the last year I have learnt many new skills, as well as redefining and exploring pre-existing abilities, and the culmination of this has steered me towards making my previous hobby a career. Studying in London has allowed me to explore myself as a person and find growth and independence within myself, and this was made easier by a strong foundation in confidence provided by my experience taking part in festivals.

Leah Murdy

My name is Leah Murdy, and I am a final year law student from Northern Ireland.

My love for all things dance, music, drama and the arts started when I was about 3 years old when I watched The Sound of Music on repeat. Then, for my fourth birthday, I asked for dance lessons, and I have never looked back.

I enrolled at RDS and my love for dance grew as I achieved my exams and competed in solos, duets, trios and group dances. Festival season is always one of the busiest times of year in a dance school, but the buzz is incalculable, and some of my proudest moments in dance have been on the stage at a BIFF festival. I am delighted that even though I am now at university, I have been able to continue to dance and captain a team.

Outside of dance, I have also competed in schools' poetry festivals, which I enjoyed thoroughly, getting to share my love for performing arts through different means. This allowed me to work through the emphasis of the piece to create a narrative and portray a story.

My aim as part of the Youth Board is to ensure that children have the same opportunities that I had growing up, being able to compete and share my passion for dance and the arts, with the hope of inspiring the next generation. I want to foster cultural exchange through the arts across the UK and internationally, learning from each other and represent youth voices within the Federation’s work.

Olivia Pearson

I have participated in speech and music festivals from the age of five, first in Canada, and then in England from the age of eight. These festivals gave me a fantastic opportunity to build confidence performing solo, with a variety of songs, poems and monologues, as well as the ability to work as part of a team, through taking part in duets, trios and ensemble pieces. I feel incredibly privileged to have had this opportunity, as I have been able to form lifelong friendships with the people I have performed with.

These festivals also provided me with an outlet and sense of community while I was navigating the difficult transition between living in Canada and England. I have also seen the confidence and community that people around me have managed to build, which I find incredibly inspiring. This was a key element in forging my persisting passion for the performing arts.

The lessons I’ve been able to learn from both the adjudicators’ advice and from watching my fellow performers have been particularly valuable and I believe have helped me on my professional journey. I have had the privilege to be involved in two adverts for a major phone and television company and am currently studying BA World Performance at East 15 Acting School, thanks to the priceless lessons and experience I have been able to harvest from my time taking part in speech and music festivals.

Luke Maestranzi Duncan

I am an amateur composer and cellist from South Ayrshire. As a young cellist, I participated in solo and orchestral classes at the annual Ayrshire Music Festival (a member of the BIFF) and gained a great deal from those experiences. I am passionate about classical, traditional, and contemporary music, and have volunteered and worked at several music festivals across the UK, including a nearby cathedral concert series.
Supporting musicians at every level is an essential part of sustaining healthy cultural identities within local communities. Coming from Ayrshire, I have seen this demonstrated through local organisations I’ve participated in or enjoyed as an audience member, including the South Ayrshire Music Service, Ayrshire Fiddle Orchestra, Ayrshire Symphony Orchestra, Dalmellington Brass Band and its Brass Academy, The Cumnock Tryst, and the Cathedral of the Isles summer concert series.

Composing for amateurs and young musicians is both exciting and deeply fulfilling. Hearing new music brought to life is always thrilling, and I see great value in creating opportunities for young musicians not only to perform new works, but also to explore and share unfamiliar musical styles with the wider public. Arts festivals are a wonderful way to blend the familiar with the new.

For people of all ages, sharing and making music has tremendous value, and this must be nurtured especially among young people. Performing arts festivals play a vital role in celebrating emerging talent by offering well-organised, highly visible platforms for growth and recognition.

Nathaliya Fernando

My name is Nathaliya Fernando, and I am a preschool teacher who is passionate about helping and caring for children, molding them to become the best versions of themselves. Along with my work in early childhood education, I also teach Elocution and Speech and Drama. 

My journey with speech and drama began in 2013, and it has been a part of my life for over eleven years now. What started as a personal interest gradually shaped me into the person I am today. Through the years, taking part in festivals, performances, and exams taught me much more than just technique, it helped me understand myself, communicate clearly, and develop confidence in the way I present and carry myself. These experiences have taught me the value of expression, discipline, and professionalism. They gave me the courage to speak my mind, to share my opinions respectfully, and to appreciate the power of words and performance.

Now, as a teacher, I try to give my students the same opportunities that shaped me. I believe every child deserves the chance to discover their own voice especially to express, imagine, and grow with confidence. Seeing my students progress, whether in speech, creativity, self-belief, or self-achievement is what inspires me every day.

Stella McIntyre

Hello, my name is Stella McIntyre and I’m a clarsach player from North Ayrshire, on the West Coast of Scotland. I am currently in my first year of university at the Royal Conservatoire of Scotland for traditional music and am thrilled to be a part of BIFF’s Youth Board programme! I grew up surrounded by music in both the classical and traditional streams since the age of 4 and subsequently fell in love with the creative arts.

As a result, I have been involved as a performer and ambassador in numerous different festivals (including my local festival, the Ayrshire music festival) across the country, many of which are in association with BIFF. These experiences within festivals have boosted my confidence as well as my communication skills, and overall awareness of the accessibility of arts.

Throughout the last few months, I have been engaged heavily in music, gaining exposure to the creative arts, refining my technical skills, and exploring my individuality as a musician. Studying in Glasgow has allowed me to be immersed into the diverse musical scene here, which has improved my overall knowledge of the various festivals and community work that is available throughout the creative arts industry.

I have a deep passion and love for giving back to my community, and as a member of the Youth Board, I am excited to collaborate with like-minded artists to help ensure equal opportunities and access for young people, wanting to be involved in the creative arts industry. Moreover, I am eager to highlight the importance of festivals and help to promote their growth to all areas across the UK.

Elise Fowler

Elise Fowler is a Sydney-based arts administrator passionate about creating opportunities for young people in the performing arts. She currently works as Operations Coordinator at Sydney Eisteddfod, which is known for being the largest performing arts competition in the Southern Hemisphere, delivering more than 300 events over four months each year. In this role, Elise coordinates event operations, volunteer teams, and digital systems, while also contributing to strategic planning and audience engagement.

Elise’s journey with Sydney Eisteddfod began in 2023 as an intern and then quickly joined the team as Marketing Assistant, where she focused on building connections with audiences through digital storytelling and social media. She later stepped into a combined Digital and Operations Coordinator role, balancing logistics with creative content to support the smooth delivery of hundreds of events.

Alongside her professional experience, Elise is completing a Bachelor of Business Administration and Arts at Macquarie University, majoring in Performing Arts and Entertainment Industries. She is also Vice President of the Macquarie University Dance Team and has been actively involved with the Bathurst Eisteddfod committee since 2016.

Having grown up competing in eisteddfods herself, Elise understands first-hand the impact these platforms can have on young performers. Now, working for Sydney Eisteddfod and joining the BIFF Youth Board feels like a full-circle moment, combining her lived experience with her professional skills. She is excited to bring a fresh perspective, supporting initiatives that make the arts more accessible, inclusive and inspiring for the next generation of artists.

Preslava Vladimirova

Preslava Vladimirova, aged 19, was born and raised in London to a family with Bulgarian roots. She began playing the piano at the age of 9 and continued her musical education at Brentwood School, where she regularly performed in concerts across London and presented original compositions, including an extended work for piano and orchestra.

Currently, she is completing her Bachelor's degree in Music at King’s College London (KCL), where she is a pianist, composer and choral scholar. Her performance studies are supported by the Royal Academy of Music, where she receives regular piano lessons with Louise Cournarie. Preslava has participated in piano masterclasses with Evgeny Zhelyazkov, Florian Mitrea and Evgenia Tagareva. As both a pianist and alto in the KCL Chapel Choir, Preslava is a passionate musician who performs at national and international venues. 

Beyond university, she is a private piano teacher and conductor, who finds great joy in organising concerts and festivals that urge musicians to perform. Enthusiastic about artist collaboration, Preslava continues to develop her management skills as an ambassador for two annual performing arts festivals: International Youth Festival ‘Over the Rainbow’, London, and the International Summer Academy The Fire of Orpheus, Zlatograd, Bulgaria. 

As a member of the Youth Board for the British and International Federation of Festivals (BIFF), Preslava aims to direct her work efforts into promoting accessible performance festivals for participants worldwide.